They will even count the number of scales on a fish, and mark them out in their representations, and it is impossible to imitate the brilliant colours of nature more closely. I brought home several drawings of plants, birds, and insects, that have been greatly admired for their accuracy and close colouring; but they want that effect which the proper application of light and shade never fails to produce. The coloured prints of Europe that are carried out to Canton are copied there with wonderful fidelity. But in doing this, they exercise no judgment of their own. Every defect and blemish, original or accidental, they are sure to copy

, being mere servile imitators, and not in the least feeling the force or the beauty of any specimen of the arts that may come before them; for the same person who is one day employed in copying a beautiful European print, will sit down the next to a Chinese drawing replete with absurdity.

Whatever may be the progress of the arts in the port of Canton, they are not likely to experience much improvement in the interior parts of the country, or in the capital. It was the pride rather of the monarch, and of his ministers, that made them reject the proposal of Castaglione to establish a school for the arts, than the apprehension, as stated by the missionaries, that the rage for painting would become so general, as to be prejudicial to useful labour.

In a country where painting is at so low an ebb, it would be in vain to expect much execution from the chissel. Grotesque images of ideal beings, and monstrous distortions of nature, are sometimes seen upon the ballustrades of bridges, and in their temples, where the niches are filled with gigantic gods of baked clay, sometimes painted with gaudy colours, and sometimes plastered over with gold leaf, or covered with a coat of varnish. They are as little able to model as to draw the human figure with any degree of correctness. In the whole empire there is not a statue, a hewn pillar, or a column that deserves to be mentioned. Large four-sided blocks of stone or wood are frequently erected near the gates of cities, with inscriptions upon them, meant to perpetuate the memory of certain distinguished characters; but they are neither objects of grandeur nor ornament, having a much closer resemblance to a gallows than to triumphal arches, as the missionaries, for what reason I know not, have